Musical Glossay


The Farthest Castle of the Unknown World [Now on Sale!]

There is another world unknown to the Farthest Castle of the year 2014 All Japan Band Music Competition. It is not just a revised version or a rearrangement. You will witness the parallel world! →Full Score, Parts & some benefits


dolce

Softly. As a method of expressing dolce, it can be thought that it depends on strength, pronunciation, tone color, but it can not be said unequivocally depending on the player and musical instrument. In the case of strength and weakness, the volume is often played small, but depending on the curiosity or orchestration it can be greatly played. Those caused by pronunciation play weak attacks. Since it is often influenced by strength and pronunciation due to tone color, it is difficult to control by itself. Even with players and musical instruments, the definition of "soft" is different, so it can not be said unconditionally.

The difference in the softness of the tone depends on the manner of pronunciation, but in most cases it can be said to be the difference of overtones included in the sound. However, depending on players and musical instruments, people with higher harmonics are divided into those who feel "soft" and people who feel less harmonized as "soft". Also the balance between higher order harmonic and lower order harmonic influences.

Often abbreviated as marc.

In many cases, it is interpreted as a Marquardt for notes for which other articulation symbols are not written because there is no symbol.

In fact there are many cases where notes with nothing written are marked as Marcato. In some cases it is sometimes interpreted as Tenut, but how to play depends on the sense of the player.

Specifically, it is common to play as shown in the following figure.

図‐演奏方法

The horizontal axis of blue figure is time and the vertical axis is volume.

Basically the length of the sound is the same as Tenut, but the volume decays. When the length becomes shorter, the difference with Staccato disappears, and if the volume does not change, the difference with Tenut loses.

In keyboard instruments, we must devise expressive methods.

 

Index to page top
音楽の本
独・仏・伊・英による音楽用語辞典 【改訂版】独・仏・伊・英による音楽用語辞典 【改訂版】
これで納得!よくわかる音楽用語のはなし―イタリアの日常会話から学ぶ – 関 孝弘 (著)これで納得!よくわかる音楽用語のはなし―イタリアの日常会話から学ぶ – 関 孝弘 (著)
持ち歩き 音楽記号事典 – 多田 鏡子 (著), 川島 素晴 (監修)持ち歩き 音楽記号事典 – 多田 鏡子 (著), 川島 素晴 (監修)
音楽の科学---音楽の何に魅せられるのか? – フィリップ ボール (著), 夏目 大 (翻訳)音楽の科学---音楽の何に魅せられるのか? – フィリップ ボール (著), 夏目 大 (翻訳)