Musical Glossay
The Farthest Castle of the Unknown World [Now on Sale!]
There is another world unknown to the Farthest Castle of the year 2014 All Japan Band Music Competition. It is not just a revised version or a rearrangement. You will witness the parallel world! →Full Score, Parts & some benefits
Two-pipe organization
The number of woodwind instruments is orchestrated by two musical instruments. For example, a flute × 2 people, an oboe × 2 person, a clarinet × 2 person, and a bathoon × 2 persons are basic two-pipe organization wood pipe sections, but there are also other piccolo additions.
The number of string instruments, brass instruments, percussion instruments is not particularly determined, but the number of people who can balance well with the wood tube section is common. For example, horn × 2, trumpet × 2, Timpani × 1 person, violin 1st × 5 person, 2nd × 4 person, viola × 3 person, cello × 2 person, contrabass × 2 person etc.
As another organization, three-pipe formation and four-pipe formation are mainstream.
In the case of 15 mb ...
... to play.
It is difficult to take these rhythms unless you can put three sounds equally in one beat in either case. For accurate rhythm it is better to think about dividing the rhythm. It may be nice to take Thailand at first and practice. People who can not get rhythm well will try to practice with a slow tempo of about 40 beats per metronome. Besides, there are various such as a double sign, a quadruplet, a quintuplet, a six-tuplet.
It looks like. These rhythms
It is the same as.
In this way you can rewrite quadruplets. And this is the same even if the unit of note, time signature, tempo changes.
For accurate rhythm, it is a good idea to divide the rhythm and think about it.
When you can not get a good rhythm, take a tie and practice with a slow tempo of about 40 beats per metronome and let's attach a tie when you can do exactly.
Besides, there are various such as double sign, triplet, quintuplet, hexagon.
Index to page top
| 音楽の本 | |
|---|---|
 | 独・仏・伊・英による音楽用語辞典 【改訂版】 |
 | これで納得!よくわかる音楽用語のはなし―イタリアの日常会話から学ぶ – 関 孝弘 (著) |
 | 持ち歩き 音楽記号事典 – 多田 鏡子 (著), 川島 素晴 (監修) |
 | 音楽の科学---音楽の何に魅せられるのか？ – フィリップ ボール (著), 夏目 大 (翻訳) |